Two Black Fives Era birthdays this week, both merit consideration for the Basketball Hall of Fame, although one case is much stronger than the other.
Black Fives Era Birthdays This Week Present Contrasting Hall Of Fame Enshrinement Cases
Today is the date that the all-black New York (Harlem) Rens made history by replacing the Detroit Vagabond Kings of the previously racially segregated National Basketball League and debuting as the new Dayton Rens.
The Commonwealth Big Five, an all-black basketball team, debuted on this date in 1922, becoming the first fully-professional African American basketball team.
Though news coverage of the NBA’s upcoming racial integration was limited, there was enough to get a glimpse of what the milestone meant at the time.
The Basketball Hall of Fame will form a special review committee to look at overlooked African American candidates, but there’s a catch.
Adrian Dantley finally got elected into the Naismith Memorial Basketball Hall of Fame. He’ll be enshrined on Friday in a ceremony in Springfield, Massachusetts, along with several other players, coaches, and contributors including Hakeem Olajuwon, Patrick Ewing, and Pat Riley. Among other things, I like Dantley’s unselfishness and perspective when it comes to recognizing his… Read more »
Here’s another look at some early “basket ball” pants.
Here’s the a portion of the front cover of the 1904 publication “How To Play Basket Ball,” distributed by Spalding Sporting Goods.
This is what makes it so difficult for some Black Fives Era players to be fairly considered for comparison and recognition by the committee members responsible for selecting inductees into the Basketball Hall of Fame.
Brandon Jennings has made history. Now. Jennings’ move reminds us of Dolly King in ’41. He’s the #1 ranked high school basketball player who could have played in the N.B.A. if it weren’t for the league’s artificial age limit. He’s the Dominguez High School and Oak Hill Academy product from Compton, Ca., who could have… Read more »
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Black Fives
We inspire excellence in youth and communities by preserving, teaching, and honoring the pre-NBA history of African Americans in basketball.
For years, we have been building something truly remarkable.![]()
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Something deeper than what’s visible on the surface.![]()
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This piece, created by the Gee’s Bend Quilters Collective from remnants of our Black Fives throwback jerseys, carries that idea.![]()
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On the front, you see something beautiful.![]()
On the back, you see the work.![]()
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Tens of thousands of stitches.![]()
Each one holding the whole together.![]()
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Like the earlier African American basketball pioneers whose names were forgotten, but whose work helped shape the game.![]()
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Like the countless people, often unseen, who did and are doing the work that holds our country together.![]()
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The surface only exists because of what’s behind it.![]()
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And it’s only as strong as the weakest stitch.![]()
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Do we really want to remove certain stitches?![]()
Are we OK with pieces falling apart?![]()
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Do we value the work we don’t see?![]()
Do we recognize it?![]()
Do we protect it?![]()
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That’s the real story.![]()
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For years, we have been building something truly remarkable.![]()
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A deep archive of early African American basketball.![]()
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The stories, the images, the history that shaped the game.![]()
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But this is more than an archive.![]()
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It’s a cultural IP and sports heritage platform.![]()
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Infrastructure of history, identity, and assets ready to build with.![]()
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For partners, institutions, and brands who want real cultural authenticity, not just performative optics.![]()
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