Location: Harlem, New York City
Home Court: Renaissance Ballroom
Nickname: “Rens”, “Harlem Rens”, “Big R Five”
Colors: Navy, Gold
Manager: Robert “Bob” Douglas
The New York Rens were the first all-black fully professional African-American owned basketball team, formed in Harlem in 1923. That year, basketball manager Robert “Bob” Douglas made a deal with Harlem real estate developer William Roach, the owner of the new Renaissance Ballroom and Casino.
Some of the many New York Rens stars who played for owner Robert Douglas, with a headline of perhaps their greatest single accomplishment—winning the inaugural World Championship of Professional #Basketball in 1939. There were 10 such world championships in all, through 1948, and #AfricanAmerican teams won three of the them. Which three? #newyorkcity #nyc #harlem #worldchamps #blackfives (Clockwise: Zack Clayton, Robert Douglas, Fort Wayne Sentinel newspaper headline, John Isaacs, Charles “Tarzan” Cooper, George Crowe.)
Douglas owned and managed an all-black basketball team called the Spartan Braves, which was a leading contender for the black national championship title. His basketball club had no home court. The Renaissance Ballroom, with its perfect location in the center of Harlem, its spacious floor, and its balcony seating that looked down from above, would be the ideal venue.
Douglas asked Roach if the Spartans could play their home games at his ballroom in return for changing the name of the team to the “New York Renaissance” in order to promote the dance hall far and wide.
After some negotiating, Roach agreed. Douglas, now armed with a permanent home court, next introduced full-season player contracts to lock in his players, and the Big “R” Five became America’s first all-black, black-owned, fully professional basketball team. The “Rens” attracted the best African American talent in basketball.
The team’s original lineup included Clarence “Fats” Jenkins and James “Pappy” Ricks, as well as Frank “Strangler” Forbes and Leon Monde.
All four of these men also played professional baseball in the Negro Leagues. All four would also be enshrined collectively as part of the 1932-33 team that was inducted into the Naismith Basketball Hall of Fame as a unit in 1963.
By 1924-25 the “Rens” had won the first of many Colored Basketball World Championships and thereafter proceeded to dominate not just black basketball, but all of basketball for the next 25 years.
During that period, the Rens routinely beat white national champion basketball teams like the Original Celtics, the Philadelphia SPHAS, the Oshkosh All Stars, and the Indianapolis Kautskys. The irony is that the leagues in which these teams played did not allow African American players or teams to join.
In 1939, the New York Rens won the inaugural World Championship of Professional Basketball, an invitation-only tourney with a field made up of America’s twelve best pro hoops teams. The title game saw the Rens defeating the Oshkosh All Stars. Oshkosh had been the champion of the National Basketball League, a whites-only league.
Though the 1933 New York Rens were enshrined as a team, surprisingly only three Renaissance players have ever been enshrined individually: John “Boy Wonder” Isaacs (2015), William “Pop” Gates (1989), and Charles “Tarzan” Cooper (1977). Gates and Cooper were both possibly the best centers in the game during their time. Isaacs, a fiery competitor and floor leader, was like the glue for the team. In addition, Rens owner Robert “Bob” Douglas was inducted as a contributor in 1972.
There are several Rens players who deserve consideration for individual enshrinement in the Naismith Hall of Fame, including Clarence “Fats” Jenkins, Willie “Wee Willie” Smith, Clarence “Puggy” Bell, and Zachariah “Zack” Clayton.
Bell and Clayton are already enshrined in the New York City and Philadelphia Basketball Halls of Fame, respectively. Another player, William “Dolly” King, is enshrined in the Long Island University Sports Hall of Fame.